Liesel Meminger learns to read in a small German town during the Second World War, and the books she steals become the way she holds on to herself.
Markus Zusak gives the narration to Death, a voice that is weary rather than menacing and that knows how each thread ends long before the reader does. Around Liesel are her foster parents, a boy who runs beside her, and a man hidden in the basement whose presence puts the whole household at risk. The novel is built from short sections and interruptions, a structure that keeps the ordinary and the terrible in the same frame.
On the page:
• Narration by Death, used for distance and foreshadowing rather than shock
• Wartime Germany seen from a working-class street rather than a battlefield
• Short titled sections that break the narrative into readable pieces
• Penguin edition, widely used in school and book-club reading
For readers of historical fiction and older teenagers alike, published by Penguin and available at Boipoka.